NEWS
Makuri lounge chair is a chair about the iconic curves. Comprising two curves along with squares and rectangles, each element embodies a familiar shape, seamlessly and naturally integrating into our visual experience. The chair also reflects the linearity Anastassiades is well known for, along with subtle elements of spheres, translated into Makuri’s curves. Despite its ample size, the chair possesses a certain airiness and represents ultimate simplicity.
In celebration of KOYORI designer Michael Anastassiades' exhibition at ANDREAS MURKUDIS in Berlin, Germany, KOYORI will showcase his latest creation, the Makuri Lounge Chair and Ottoman, at Store 81.
Building on the success of the Miau Armchair, the Miau Lounge Chair is introduced as a natural extension of the Miau family. With its sleek proportions and timeless design, the Miau Lounge Chair enhances the original concept by offering increased comfort and relaxation.
Michael Anastassiades and GamFratesi passionately discussed their creative journey with KOYORI, enthusiastically introducing their new products. GamFratesi also shared the inspiration behind their designed space, which featured hundreds of lanterns, creating a captivating atmosphere.
Since its founding, KOYORI has been aiming to ensure that our production and delivery processes are sustainable and help us become the leading brand with a culture of transparency. Our first Sustainability Report underscores our commitment to reducing carbon footprints, supporting Japanese craftsmanship, and celebrating the beauty of design.
Our exclusive interview with GamFratesi delves into the stories behind the three novelties they designed for 3daysofdesign this year.
We are thrilled to share an exclusive interview with Michael Anastassiades, who joined KOYORI this year. In our conversation, he discusses the origins of our collaboration and the design philosophy behind the Makuri Lounge Chair and Ottoman.
Edaha Chair, which was only showcased as a prototype at the launch in 2022, has since come a long way to become a final product and is now finally in production.
Edaha is composed mostly of curves and curved surfaces and has almost no horizontal, vertical, or parallel parts, making it difficult to process and takes a long time to create.
Thank you to everyone who visited KOYORI exhibition at 3daysofdesign. Surrounded by hundreds of Japanese lanterns, we hope you had an immersive experience and enjoyed the sense of Japanese aesthetics and calmness in the space designed by GamFratesi, along with the new and existing furniture.
KOYORI once again collaborates with GamFratesi to capture the essence of true Japanese aesthetics in the exhibition design.
This immersive installation, set within a classical Scandinavian building, seamlessly integrates traditional Japanese crafts with new furniture pieces by GamFratesi and the newly appointed designer Michael Anastassiades, along with existing items designed by Ronan & Erwan Bouroullec.
KOYORI invites you to explore the new collection designed by Michael Anastassiades and GamFratesi.
Step into an immersive installation where the beauty of Japanese tradition and crafts comes to life. Experience a serene space featuring exquisite designs that combine artistic elegance with practical functionality, offering you a unique journey of tranquility and inspiration.
Nei stands as a testament to the beauty of simplicity and precision in design. Its structure, though seemingly simple, is adorned with thoughtful details to a level of distinction. At first glance, the Nei table captures attention with its elegant form and striking proportions. However, upon closer inspection, its true allure lies in the meticulous craftsmanship and innovative design elements that set it apart.
The design of Musubi Armchair emphasizes the beautifully yet efficiently sculptured parts of wood. The backrest, arms, and the seat are all like sculptures, assembled as one in a unique curved shape.
The exceptional talent of GamFratesi, combined with their love and respect toward Japanese traditions and craftsmanship, resulted in creating a beautiful armchair that carries a nostalgic feeling yet freshness at the same time. Working with solid wood was a fascinating experience for the duo especially because they were able to work very closely with the workshop for the KOYORI project.
KOYORI is thrilled to announce a pivotal moment in its design journey with the addition of acclaimed designer Michael Anastassiades to its esteemed team. This strategic collaboration marks a significant step towards redefining design excellence and elevating the KOYORI brand to new heights.
The Shaku Chair is not just a piece of furniture; it's a journey through time, a warm, beautiful, and simple chair that seems to narrate the history itself. In Ronan Bouroullec's words, "We have invented something new, but at the same time, it is somewhere linked to history. We are very happy that we could come up with such a design."
Mizuhiki serves a dual purpose in Japanese tradition: not only does it secure gift wrappings, but it also conveys the emotions of the giver through its intricate knots. Once tied, the knot symbolizes an unbreakable connection, embodying the profound significance of human relationships and interconnectedness.
In 1997, when Ronan Bouroullec first visited Japan, he bought a beautiful book called ‘Yanagi Sori’. The book, which still remains his favorite, introduced him to a piece of furniture designed by Yanagi and crafted by one of KOYORI’s manufacturers.
The innovative design and the solid structure, coupled with precise manufacturing technology created this elegant and versatile chair.
As we approach the end of 2023, we're thrilled to share our vibrant experience at 3daysofdesign through a captivating film capturing the special presentation by the designers. This movie unveils the inception of the KOYORI project and the designers' deep admiration for Japanese craftsmanship. Immerse yourself in the exhibition's ambiance, where the fusion of Japanese cultural elements harmonizes with classical Scandinavian architecture.
In addition to its role as a sealing tool for letters among aristocrats, the Koyori string has developed into two distinct forms: The first is known as "Mottoi", which is a type of Koyori string used to secure the hair of Sumo wrestlers. The second form is called "Mizuhiki". Mizuhiki is crafted from Koyori strings that are glued and colored. Its origins can be traced back to the Muromachi period (1336-1573) when it emerged as a custom among Bushi soldiers.
