NEWS
Nei stands as a testament to the beauty of simplicity and precision in design. Its structure, though seemingly simple, is adorned with thoughtful details to a level of distinction. At first glance, the Nei table captures attention with its elegant form and striking proportions. However, upon closer inspection, its true allure lies in the meticulous craftsmanship and innovative design elements that set it apart.
The design of Musubi Armchair emphasizes the beautifully yet efficiently sculptured parts of wood. The backrest, arms, and the seat are all like sculptures, assembled as one in a unique curved shape.
The exceptional talent of GamFratesi, combined with their love and respect toward Japanese traditions and craftsmanship, resulted in creating a beautiful armchair that carries a nostalgic feeling yet freshness at the same time. Working with solid wood was a fascinating experience for the duo especially because they were able to work very closely with the workshop for the KOYORI project.
KOYORI is thrilled to announce a pivotal moment in its design journey with the addition of acclaimed designer Michael Anastassiades to its esteemed team. This strategic collaboration marks a significant step towards redefining design excellence and elevating the KOYORI brand to new heights.
The Shaku Chair is not just a piece of furniture; it's a journey through time, a warm, beautiful, and simple chair that seems to narrate the history itself. In Ronan Bouroullec's words, "We have invented something new, but at the same time, it is somewhere linked to history. We are very happy that we could come up with such a design."
Mizuhiki serves a dual purpose in Japanese tradition: not only does it secure gift wrappings, but it also conveys the emotions of the giver through its intricate knots. Once tied, the knot symbolizes an unbreakable connection, embodying the profound significance of human relationships and interconnectedness.
In 1997, when Ronan Bouroullec first visited Japan, he bought a beautiful book called ‘Yanagi Sori’. The book, which still remains his favorite, introduced him to a piece of furniture designed by Yanagi and crafted by one of KOYORI’s manufacturers.
The innovative design and the solid structure, coupled with precise manufacturing technology created this elegant and versatile chair.
As we approach the end of 2023, we're thrilled to share our vibrant experience at 3daysofdesign through a captivating film capturing the special presentation by the designers. This movie unveils the inception of the KOYORI project and the designers' deep admiration for Japanese craftsmanship. Immerse yourself in the exhibition's ambiance, where the fusion of Japanese cultural elements harmonizes with classical Scandinavian architecture.
In addition to its role as a sealing tool for letters among aristocrats, the Koyori string has developed into two distinct forms: The first is known as "Mottoi", which is a type of Koyori string used to secure the hair of Sumo wrestlers. The second form is called "Mizuhiki". Mizuhiki is crafted from Koyori strings that are glued and colored. Its origins can be traced back to the Muromachi period (1336-1573) when it emerged as a custom among Bushi soldiers.
Watch the conversation of Ronan Bouroullec and GamFratesi with KOYORI's Executive Director, Koda.
The talk covered their collaboration with KOYORI, their cultural backgrounds, design processes, and even touched on their favorite designers throughout their careers.
We cordially invite you to an online live talking session featuring Ronan Bouroullec and GamFratesi, titled 'KOYORI ONLINE TALK.' The talk session will be joined by Koda, Executive Director of KOYORI, and will explore the stories behind their designs for KOYORI's new products, their design philosophies, cultural backgrounds, and more. Please join us by registering using the link below.
DATE & TIME
October 12 (THU) 10am CEST, 17pm JST
LANGUAGE
English (simultaneous translation to Japanese will be provided.)
The charm of the Usurai table lies in its combination of simplicity and exquisite details, supported by a blend of masterful craftsmanship and advanced manufacturing techniques. Throughout the production process, it was referred to as the "simple table" due to its remarkable qualities of simplicity, versatility, and multifunctionality.
KOYORI’s brand name was named after a Japanese word meaning 'twisted paper cords' and is the main material of Mizuhiki, the durable and decorative paper strings traditionally used in Japan for wrapping gifts, especially on festive and ceremonial occasions. We are going to delve into the history behind “Koyori” and "Mizuhiki" in forthcoming chapters of the KOYORI ANECDOTES.
The Miau series started with armchairs which conceptualize a sculptural object made of solid wood, and the aim was to create something that feels incredibly pleasant to the touch. The table has a vigorous feeling appreciating fully the tactility of solid wood compared to the slim and sleek chair, however, sharing the same typology being contemporary. In addition, the sense of comfort and peacefulness when you touch the furniture can very well be equated with the experience and feeling you get when you gently caress a cat, as the name “Miau” symbolizes.
We are pleased to share with you our splendid memory of 3daysofdesign with a movie that includes the special presentation done by both designers. The movie discloses how the KOYORI project started and their appreciation and respect to Japanese craftsmanship. Please also enjoy the atmosphere of the exhibition, where Japanese cultural elements blend in with classical Scandinavian architecture.
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KOYORI’s brand identity including the logo, was formed under the watchful eye of the iconic British product and furniture designer, Jasper Morrison, in the role of Art Directing Advisor also co-designed by graphic designer Sebastian Fehr.
As a new brand, it was no doubt that executive director Koda was willing to appoint one of the most trusted designers for the logo design. He has been feeling a great sympathy for Jasper’s perceptions and the aesthetics of lines such as the combination of curves and straight lines that he has been creating over his career. In addition, having lived in Japan for quite a long time, Koda believed that Jasper had a strong affinity to Japan. Being a brand that aims to embody the true Japanese Aesthetics, it was a significant aspect.
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